Date: Ноябрь 7th, 2009
Cate: Интересуюсь, Нашлось
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Фотограф Patrick Smith

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Patrick Smith, photographer, San Francisco, California, USA

“ Я восхищался пейзажами всю мою жизнь. Вырос изучая архитектурных холмы и каньоны, они часть городского ландшафта Сан-Франциско, а затем естественным открытым пространствам к северу от Золотых Ворот в Marin Округ Калифорнии. Я пойду на все, чтобы оказаться в нужном месте, в нужное время, ради одной фотографии лучшего момента вида природы.
В настоящее время я живу в районе Сан-Франциско и путешествую вверх и вниз по побережью Калифорнии и в других местах ища природную красоту, которая вдохновляет людей защищать и сохранить наши драгоценные природные и морские ландшафты.”

PatrickSmith

 
 
 
 
 
 
 
 
 
 
 
 
 
A medium-length exposure shows the spin of the wheel, as riders enjoyed a magnificent sunset over the Santa Monica Pier. This was the best part of a great sunset, then I waited for the lights on the pier to become as bright as the sky in order to create Santa Monica Spin #2 about 20 minutes later. For a brief moment in between waves, the sand turned glossy, so I made sure to capture that moment with the wheel in motion, which was not very often during the best part of the sunset!
A medium-length exposure shows the spin of the wheel, as riders enjoyed a magnificent sunset over the Santa Monica Pier. This was the best part of a great sunset, then I waited for the lights on the pier to become as bright as the sky in order to create Santa Monica Spin #2 about 20 minutes later. For a brief moment in between waves, the sand turned glossy, so I made sure to capture that moment with the wheel in motion, which was not very often during the best part of the sunset!
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Infinity Pool
Infinity Pool
Sentinal of Trinidad Beach #1
Sentinal of Trinidad Beach #1
Cyclone of Light
Cyclone of Light
Trinidad Surf
Trinidad Surf
Trinidad Last Light
Trinidad Last Light
Clouds streak over the top of El Capitan as the river flows by. No HDR! In an hour or two, I'll send out my newsletter and reply to my stack of emails. Go to <a href="http://flickr.com/people/patrick-smith-photography/">my Flickr profile</a> to sign up for my free weekly newsletter. I will answer questions and talk about theories and techniques. No spam will be sent! Also, I just started on <a href="http://twitter.com/PatrickSmith1" rel="nofollow">Twitter.</a> See the 1200 pixel version! Canon 5D Mark II Canon 17-40L @ 18 (very wide to get it all into the frame) 30-second exposure @F13 (to show the cloud movement) LEE soft ND grad 0.75 (2 1/2 stops) 4x6 inch Lee filter holder (Cokin z-pro compatible) No polarizer. ISO 50 Small Slik tripod with Manfrotto pistol grip ball head RAW file processed with Capture One by Phase One TIFF file processed with Photoshop Topping out at more than 3,000 feet above the 4,000 ft elevation Valley floor, El Capitan it is the largest vertica
Clouds streak over the top of El Capitan as the river flows by. No HDR! In an hour or two, I'll send out my newsletter and reply to my stack of emails. Go to <a href="http://flickr.com/people/patrick-smith-photography/">my Flickr profile</a> to sign up for my free weekly newsletter. I will answer questions and talk about theories and techniques. No spam will be sent! Also, I just started on <a href="http://twitter.com/PatrickSmith1" rel="nofollow">Twitter.</a> See the 1200 pixel version! Canon 5D Mark II Canon 17-40L @ 18 (very wide to get it all into the frame) 30-second exposure @F13 (to show the cloud movement) LEE soft ND grad 0.75 (2 1/2 stops) 4x6 inch Lee filter holder (Cokin z-pro compatible) No polarizer. ISO 50 Small Slik tripod with Manfrotto pistol grip ball head RAW file processed with Capture One by Phase One TIFF file processed with Photoshop Topping out at more than 3,000 feet above the 4,000 ft elevation Valley floor, El Capitan it is the largest vertica
The clouds were moving quickly over the top of Half Dome, and the light looked good, so I put on my dark filter to make a long exposure. Over the course of 30 seconds, the clouds moved a lot and the shadows of the clouds made for some good light across the face of the cliffs. And the moving trees and reflections softened in the reflected light.
The clouds were moving quickly over the top of Half Dome, and the light looked good, so I put on my dark filter to make a long exposure. Over the course of 30 seconds, the clouds moved a lot and the shadows of the clouds made for some good light across the face of the cliffs. And the moving trees and reflections softened in the reflected light.
Yosemite Reflections #1
Yosemite Reflections #1
It was a misty and foggy sunrise at 2425 foot Yosemite Falls. Here, only the bottom 320 feet are visible but it is still an impressive waterfall when the volume is high, like on this morning. I got out onto some rather slippery rocks with my tripod and umbrella and managed to get this image after quite a bit of effort. The sound of the falls is thunderous!
It was a misty and foggy sunrise at 2425 foot Yosemite Falls. Here, only the bottom 320 feet are visible but it is still an impressive waterfall when the volume is high, like on this morning. I got out onto some rather slippery rocks with my tripod and umbrella and managed to get this image after quite a bit of effort. The sound of the falls is thunderous!
I liked this pleasing curve in the Merced River with El Capitan looming in the distance, so I returned when there was lots of mist, showing how tall El Cap really is! A 30-second exposure smoothed out the flowing water to show how peaceful it felt on this misty afternoon. I won't mention about how I had to hang off of the edge of a burned stump for a half-hour to get this open view. It took a while to get the soot off my hands!
I liked this pleasing curve in the Merced River with El Capitan looming in the distance, so I returned when there was lots of mist, showing how tall El Cap really is! A 30-second exposure smoothed out the flowing water to show how peaceful it felt on this misty afternoon. I won't mention about how I had to hang off of the edge of a burned stump for a half-hour to get this open view. It took a while to get the soot off my hands!
Valley View #1
Valley View #1
Morning in the Meadow
Morning in the Meadow
Bridal Veil falls in Yosemite flows year-round, but in the spring it flows at its maximum rate as the high elevation snow melts. I moved around to find an opening in the trees to show as much of the falls as possible. Also, I used a 2-second exposure to mazimumize the reflections and color in the water.
Bridal Veil falls in Yosemite flows year-round, but in the spring it flows at its maximum rate as the high elevation snow melts. I moved around to find an opening in the trees to show as much of the falls as possible. Also, I used a 2-second exposure to mazimumize the reflections and color in the water.
30 Seconds of My Life
30 Seconds of My Life
Canon Beach in Northern Oregon is an exceptionally wide, long and flat beach with a number of large rock islands and sea stacks offshore. Low tide is often the best time to see it because you can get closer to the rocks and the sand is glossy and smooth both for walking and for photography. On this morning, a small hole opened up in the clouds deck and for two short minutes, the sun illuminated this scene against a dark sky. I had already moved into a good position with the ripples pointing towards the middle stack. After that, I hoped for some nice light!
Canon Beach in Northern Oregon is an exceptionally wide, long and flat beach with a number of large rock islands and sea stacks offshore. Low tide is often the best time to see it because you can get closer to the rocks and the sand is glossy and smooth both for walking and for photography. On this morning, a small hole opened up in the clouds deck and for two short minutes, the sun illuminated this scene against a dark sky. I had already moved into a good position with the ripples pointing towards the middle stack. After that, I hoped for some nice light!
A low fog blowing through the Golden Gate spread across the bay and along the side of Angel Island as the sun set behind the camera. Unusual high clouds became lit by the last light of the already set sun. I used a 10-stop Neutral density (very dark, non-colored) filter to allow me to make a one-minute exposure in order to show how the fog moves across the bay and how the red sky reflected onto the waters of the bay.
A low fog blowing through the Golden Gate spread across the bay and along the side of Angel Island as the sun set behind the camera. Unusual high clouds became lit by the last light of the already set sun. I used a 10-stop Neutral density (very dark, non-colored) filter to allow me to make a one-minute exposure in order to show how the fog moves across the bay and how the red sky reflected onto the waters of the bay.
The color of the Golden Gate Bridge is orange vermilion, deemed International Orange. The color was selected by consulting architect Irving Morrow because it blends well with the natural surroundings yet enhances the bridge's visibility in fog. I think they made the right choice!
The color of the Golden Gate Bridge is orange vermilion, deemed International Orange. The color was selected by consulting architect Irving Morrow because it blends well with the natural surroundings yet enhances the bridge's visibility in fog. I think they made the right choice!
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